Cinematic LUTs — The Modular System

The LUTs themselves are perfect for my needs. The included “commercial” set has the types of tones and contrast that make even simple D-Log drone footage shot for a very conservative client look polished and expensive, not gimmicky and overly vibrant. They don’t scream “i color graded this!”. I’m excited to try the other grades on more adventurous upcoming projects in other formats. My favorite part is the documentation — Amar provides two different workflow examples and lays out exactly how to get solid, repeatable results. I’m a still photography mainly, so this level of instruction for video editing is added value I appreciate. I have no problem recommending this collection to anyone with demanding, picky commercial clients.