Dual pitch-shifted delay with fine-resolution de-tuning for rich stereo spread and creative modulation
Positive and negative envelope modulation sources for dynamic effects and special sound textures
Five built-in presets plus dozens available via Eventide Device Manager software for instant access
Dual-action active footswitch (latching or momentary) and rear-panel line level switch for flexible impedance matching
Multiple bypass options including buffered relay, DSP, FX, and kill/dry for optimal signal integrity
Summarized by Shop
Savor the secret sauce simmered into countless hit records with the MicroPitch Delay Pedal. By utilizing subtle pitch shifts to create a rich stereo spread, MicroPitch Delay makes anything you cook up sonically delectable. This pedal is the key ingredient for serving up flavorful tone: Instantly harness soaring leads that jump out of the
Pitch Shifting
Dual pitch-shifted with fine-resolution de-tuning
Modulation
Positive and negative envelope sources
Preset Storage
5 built-in presets, dozens via Eventide Device Manager software
Inputs
Instrument (guitar), line (keyboards, synths, drum machines, strings, brass, winds)
Bypass Modes
Buffered relay, DSP, FX, kill/dry, catch-up mode
Power
AC-powered or USB-powered (model dependent)
Summarized by Shop
4.0
2 ratings
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Good Pedal; Software Interface Needs Work; Customer Service Ok
Regarding the pedal itself, I’m on my second one because the first one I ordered had a hardware issue. The Eventide Forum was extremely helpful in terms of troubleshooting but at the end of the day, I had tried everything and still couldn’t get a desired sound that I had seen on a YouTube video before, so I knew it was possible. Some of the suggestions at the end were less than helpful, only a hair above “did you try restarting it”. The software editor is lagging updates; both EDM and H90 Control don't work on a 2024 MacBook Air but work on a 2011 MacBook Air. Some of the settings are too esoteric for my needs but I’m using it solely as a mono > stereo splitter and as a pitch shifter; I don’t use the delay, which is fine if a user wants to use both.
I honestly think the software editor is the biggest laggard because the pedal interface is not very intuitive in terms of primary and secondary controls and toggling master settings and re-arranging presets. Immensely easier in the software editor to dial in tones and then just set the first six pre-sets for live performing.